CAJ | 학술논문

克罗齐认为,形象与情感是艺术的两个重要因素,艺术既不单纯是形象,也不单纯是情感,也不能说是二者的总合,而是形象和情感的先验综合的统一,即＂形象—情感＂的审美表现。根据＂形象—情感＂理论,克罗齐认为,艺术与所有其他精神生产形式相比较,具有非逻辑性、纯粹形象性、具体情感性和非实用性等特征,虽然艺术不同于其他精神活动,但却受其他范畴的制约,同时也制约其他范畴。克罗齐提出＂形象—情感＂理论,一方面更加突出了艺术的表现本质,另一方面不同程度地对其早期艺术不可传达和不可分类观念作了有益的修正。
극라제인위,형상여정감시예술적량개중요인소,예술기불단순시형상,야불단순시정감,야불능설시이자적총합,이시형상화정감적선험종합적통일,즉＂형상—정감＂적심미표현。근거＂형상—정감＂이론,극라제인위,예술여소유기타정신생산형식상비교,구유비라집성、순수형상성、구체정감성화비실용성등특정,수연예술불동우기타정신활동,단각수기타범주적제약,동시야제약기타범주。극라제제출＂형상—정감＂이론,일방면경가돌출료예술적표현본질,령일방면불동정도지대기조기예술불가전체화불가분류관념작료유익적수정。
Croce holds that image and affection are two important factors of art. Art is not simply an image or affection, neither is the combination of the two. It is the transcendental and comprehensive unity of image and affection, that is, the aesthetic expression of ＂image-affection＂ . According to Croce＇s ＂image-affection＂ theory, art has the following attributes： non-logic, pure vivid; specific emotional and non-practical compared with other spiritual production forms. Although art is different from other spiritual activities, it is confined by other categories which on the contrary restrict other categories. The ＂image-affection＂ theory highlights the expressive nature of art more on one hand; and on the other hand makes some useful amendments to his earlier views on art＇s intransitivity and non-classification.