创伤记忆的“重演”与“修通”——解读科辛斯基的《彩绘鸟》
창상기억적“중연”여“수통”——해독과신사기적《채회조》
The ＂Acting-out＂ and ＂Working-through＂ of Traumatic Memory ： Reading Kosinski＇s The Painted Bird
  • 国家社科期刊
    国外文学 국외문학
    Foreign Literatures
    2013年 1期 86~93 ,共null页

    林庆新

    림경신

    科辛斯基 彩绘鸟 创伤记忆 重演 修通 科辛斯基 綵繪鳥 創傷記憶 重縯 脩通
    과신사기 채회조 창상기억 중연 수통
    Jerzy Kosinski, the painted bird, traumatic memory, acting-out, working-through
    科辛斯基在《彩绘鸟》中通过象征意象的应用以及对失语和暴力循环的描述,既把读者带入创伤性情景,又有意识地让他们超越创伤性情结,修通创伤记忆并对小说人物和事件保持批判性距离。
    과신사기재《채회조》중통과상정의상적응용이급대실어화폭력순배적묘술,기파독자대입창상성정경,우유의식지양타문초월창상성정결,수통창상기억병대소설인물화사건보지비판성거리。
    This paper discusses how, in his novel The Painted Bird, Jerzy Kosinski has both successfully brought his reader into the traumatic scenes of history and enabled them to transcend and ＂work through＂ these traumatic memories, keeping a critical distance from the characters and narrated events by using the symbolic image of the painted bird and depicting the loss of speech and the cycle of violence.
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