CAJ | 학술논문

学界对《三国演义》中的女性形象以及蕴涵其中的女性观多持批评的态度，认为它是男性中心主义的产物。事实上，现存最早嘉靖本《三国演义》对历史上一些女性形象已经做了正面的艺术加工，让女性在国家叙事中拥有一席之地，其它众多版本在性别问题上都拥有这一基本特征。毛纶、毛宗岗父子通过改写和评语，进一步提升了女性在国家宏大叙事中的地位和价值。毛评本作为宏大叙事的典范文本，虽然受限于时代，尤其是受限于题材与文本疆域，没有也不可能关注现代性别理论所要求的女性的个体情感需要与生命逻辑，但是，却从宏观的角度，为男女性别平等做出了超越时代的、难能可贵的努力和贡献。
학계대《삼국연의》중적녀성형상이급온함기중적녀성관다지비평적태도，인위타시남성중심주의적산물。사실상，현존최조가정본《삼국연의》대역사상일사녀성형상이경주료정면적예술가공，양녀성재국가서사중옹유일석지지，기타음다판본재성별문제상도옹유저일기본특정。모륜、모종강부자통과개사화평어，진일보제승료녀성재국가굉대서사중적지위화개치。모평본작위굉대서사적전범문본，수연수한우시대，우기시수한우제재여문본강역，몰유야불가능관주현대성별이론소요구적녀성적개체정감수요여생명라집，단시，각종굉관적각도，위남녀성별평등주출료초월시대적、난능가귀적노력화공헌。
The images and the views of women in the Romance of the Three Kingdoms have been criticized which have been regarded as an andro - centric product. In fact, the images of women in history in the earliest surviving version of Romance of the Three Kingdoms in Jiajing period have been made a positive artistic process so that the women have a place in the national narrative, and this basic characteristics have been kept in many other versions. Mao Lun and his son Mao Zonggang enhanced more the status and value of women in the national narrative by rewriting and reviews. Although limited by the times, especially limited in subject matter and text, Mao Lun and his son couldnt concern the modern women＇s individual emotional needs and life in his version, they has made valuable efforts and contributions for the gender equality beyond his era.