CAJ | 학술논문

妓女作为被放逐的“另类女子”群体，游离于礼法之外，被贴上无耻、堕落、卑贱、下作的标签，被主流社会鄙夷，被传统道德唾弃。但在影视作品中，她们却永远是以另一种面目出现的，不乏善良、可爱、重情、隐忍、爱国，讲气节，有着超越凡俗的独特美学意义。本文从影视作品中的“妓女”形象塑造入手，通过对一系列影片的分析解读，探讨了创作者对另类形象的影像呈现规律，提出了影视创作中的一个值得深究的命题——影像人物塑造的悖反法则，并尝试从不同层面解读其原因和意蕴。
기녀작위피방축적“령류녀자”군체，유리우례법지외，피첩상무치、타락、비천、하작적표첨，피주류사회비이，피전통도덕타기。단재영시작품중，저문각영원시이령일충면목출현적，불핍선량、가애、중정、은인、애국，강기절，유착초월범속적독특미학의의。본문종영시작품중적“기녀”형상소조입수，통과대일계렬영편적분석해독，탐토료창작자대령류형상적영상정현규률，제출료영시창작중적일개치득심구적명제——영상인물소조적패반법칙，병상시종불동층면해독기원인화의온。
As a group of expelled ＂weird females＂, prostitutes are dissociative from the social norms and law, being labeled as shameless, degenerate, ignoble, scurrilous, and are despised by mainstream society and condemned by traditional morality. However, in the movies and TV plays, they always manifest a different face. Many of them are kind - hearted, lovable, affectionate, forbearing, patriotic, loyalty, and have extraor- dinary refined and unique aesthetic significance. This paper starts from the creation of ＂prostitute＂ figures in movies and TV plays, through analyzing a series of movie and TV play works, explores the rule the creators used in depicting these weird figures. It produces a proposition which is worthy to be further researched, i. e. , the paradox principle of characterization, and tries to explain the reason and implication from different levels.