CAJ | 학술논문

在当代的先秦诸子研究中,对于《庄子》中的＂孔子＂形象,多位学者均给予了一定的注意,并展开了对该问题的一系列哲学意义上的考察。而有鉴于人物形象的文学特质,从文学史的视角来看,《庄子》中孔子形象之嬗变其实质是文学史中原始素材＂层累式＂发展的一个典型案例,＂孔子＂在内篇与外篇杂篇中经历了一个由不断变形而逐渐集中的过程。此过程折射出的形象塑造上的差异正是原始素材升华为文学形象的基本途径。
재당대적선진제자연구중,대우《장자》중적＂공자＂형상,다위학자균급여료일정적주의,병전개료대해문제적일계렬철학의의상적고찰。이유감우인물형상적문학특질,종문학사적시각래간,《장자》중공자형상지선변기실질시문학사중원시소재＂층루식＂발전적일개전형안례,＂공자＂재내편여외편잡편중경력료일개유불단변형이축점집중적과정。차과정절사출적형상소조상적차이정시원시소재승화위문학형상적기본도경。
In the contemporary studies of the pre - Qin philosophers, a number of scholars paid due attention to the literary image of ＂Confucius＂ that appeared in ＂Chuang Tzu＂. Focused on this problem, they launched a series of investigations in philosophical significance. Considered the literary qualities of the characters, the conversion of the ＂Confucius＂ image in ＂Chuang Tzu＂ is actually a typical example of the development of literature materials accumulated in literary history. ＂Confucius＂ had experienced a gradual process of concentration and a continuous deformation in Waipian and Zapian. The difference of image building that is reflected in this process is exactly the basic way of how original materials sublimate into literary figures.