CAJ | 학술논문

《聊斋志异》对日本近代文学的影响远远不及同时代的其他中国古典作品，芥川龙之介是为数不多的关注这一作品的日本作家之一。从人生际遇、社会背景、生活环境、悒郁意识四个层面，探究“鬼才”与“留仙”产生共鸣的根源。芥川吸收《聊斋志异》中的有益养分，以主题题材的直接借用和故事原型的浸润性化用两种方式，创作《酒虫》、《仙人》等经典作品，为自己的创作开拓了更为广阔的视角。
《료재지이》대일본근대문학적영향원원불급동시대적기타중국고전작품，개천룡지개시위수불다적관주저일작품적일본작가지일。종인생제우、사회배경、생활배경、읍욱의식사개층면，탐구“귀재”여“류선”산생공명적근원。개천흡수《료재지이》중적유익양분，이주제제재적직접차용화고사원형적침윤성화용량충방식，창작《주충》、《선인》등경전작품，위자기적창작개탁료경위엄활적시각。
The impact of Strange Tales from Liaozhai on modern Japanese literature is far less than other Chinese classical works. Akutagawa Ryunosuke was one of the few Japanese writers who paid attention to it. From the life experiences, social background, living environment, and melancholy consciousness, the article explores the root of common denominator between Akutagawa and Pu Songling. Akutagawa absorbed beneficial nutrients from Strange Tales from Liaozhai, and created classical works such as Immortal and Wine Worm by direct borrowing subject matter or using the prototypes of the stories.