CAJ | 학술논문

近代以来，音乐与政治关系的一个集中体现，就是音乐与民族主义的互动。作为中国现代著名音乐学家的王光祈，其音乐研究的力量源泉和动力机制就是他的民族主义政治理想——少年中国。他通过大量多方面的音乐研究及创作，建构和阐释了音乐民族主义的目标与内涵、路径和方法。他的这种音乐民族主义建构，构成了中国现代史上音乐与政治关系的典型个案，具有独特的价值和地位。
근대이래，음악여정치관계적일개집중체현，취시음악여민족주의적호동。작위중국현대저명음악학가적왕광기，기음악연구적역량원천화동력궤제취시타적민족주의정치이상——소년중국。타통과대량다방면적음악연구급창작，건구화천석료음악민족주의적목표여내함、로경화방법。타적저충음악민족주의건구，구성료중국현대사상음악여정치관계적전형개안，구유독특적개치화지위。
Since modern time, the interaction between music and nationalism has become an epitome of the relation- ship between music and politics. As a modern Chinese musicologist, WANG Guangqi took his nationalistic political ideal, the Youth China, as the motive and driving force of his music research. Via his abundant music research and creation, he constructed and interpreted the aim, connotation, approach, and methodology of music nationalism. His construction of music nationalism, with its particular value and status, has become a typical case of the rela- tionship between music and politics in the history of modern Chinese music.