CAJ | 학술논문

摘要：在台湾当代诗的后现代文化思潮中，后现代的“后”同时具备“现代主义之后”及“对现代主义的反动”两种意涵。居于台湾“主流”位置的后现代论述，恒以简化的标签横扫文学界与文化界，昌言文类泯灭、意义崩解、游戏当道、解构至上，造成1980年代之后，文学创作者向边缘靠拢的风潮。权宜性的“后”字，极贴切地表述了后现代思维中的解构精神：既解构外于自我的一切，也趋向自我消解。台湾现代诗界对于后现代状况的发生与取名的意见大致可分为两派。不赞成或不喜欢后现代艺术表现的学者、炒作或消费后现代主义的评论者、及从文化角度研究后现代的学者除外，对于后现代思想的论述意见也有分岐明显的两派。通过探讨理论演绎后的台湾后现代论述轮廓，从时间上与美学上的后现代意涵，可把握台湾现代诗坛理解中的后现代诗特质，追溯历史发展中的各种派别与意见．进而讨论奚密、廖炳惠、简政珍对后现代的思索。
적요：재태만당대시적후현대문화사조중，후현대적“후”동시구비“현대주의지후”급“대현대주의적반동”량충의함。거우태만“주류”위치적후현대논술，항이간화적표첨횡소문학계여문화계，창언문류민멸、의의붕해、유희당도、해구지상，조성1980년대지후，문학창작자향변연고롱적풍조。권의성적“후”자，겁첩절지표술료후현대사유중적해구정신：기해구외우자아적일절，야추향자아소해。태만현대시계대우후현대상황적발생여취명적의견대치가분위량파。불찬성혹불희환후현대예술표현적학자、초작혹소비후현대주의적평론자、급종문화각도연구후현대적학자제외，대우후현대사상적논술의견야유분기명현적량파。통과탐토이론연역후적태만후현대논술륜곽，종시간상여미학상적후현대의함，가파악태만현대시단리해중적후현대시특질，추소역사발전중적각충파별여의견．진이토론해밀、료병혜、간정진대후현대적사색。
In the postmodern cultural ideological trend of contemporary poetry in Taiwan, the word postmodern has two implications ： after modernism and anti- modernism. In the postmodern discourse of Taiwan＇ s ＂mainstream＂ position, they always swept through literary and cultural field with simply la- bels. They trumpeted that culture dying out, meaning collapsing, while game in power and deconstruction first, which resulted in that literary creators were marginalized after the 1980s. The expedient word after, very aptly shows the deconstruetion spirit in the post-modern thought： not only to deconstruct everything outside ,but also to deeonstruct themselves.