CAJ | 학술논문

音乐人类学研究以人的生物特征和民族文化特征差异而形成的不同音乐文化。藏族在悠久的历史中形成独特的民族音乐文化,以及以萨班《乐论》为标志的音乐理论。文章从音乐人类学的视角,解读萨班《乐论》中有关音乐声音的概念＂俱声乐＂和＂缘起乐＂;音乐的社会行为和音乐家的社会地位;人体发音部位与音调和歌词的关系;人的声音与自然地理环境的关系;人的生理特征和声音的关系等。认为萨班《乐论》中体现的音乐理论与音乐人类学理论存在诸多共通之处。
음악인류학연구이인적생물특정화민족문화특정차이이형성적불동음악문화。장족재유구적역사중형성독특적민족음악문화,이급이살반《악론》위표지적음악이론。문장종음악인류학적시각,해독살반《악론》중유관음악성음적개념＂구성악＂화＂연기악＂;음악적사회행위화음악가적사회지위;인체발음부위여음조화가사적관계;인적성음여자연지리배경적관계;인적생리특정화성음적관계등。인위살반《악론》중체현적음악이론여음악인류학이론존재제다공통지처。
Musical anthropology is dedicated to different music culture,which is formed on the basis of man＇s biological characteristics and different ethnic culture.Tibetan has their unique ethnic musical culture and musical theories,Sakya Pandita＇s Musical Theory,for instance.The article interprets two specific musical concepts,musical social behavior,the social status of musicians,the relationship between the organ of articulation,the tone and lyrics and the relationship between the voice of man and the natural geographical environment as well as the relationship between man＇s physiological characteristics and voice.It is found that Sakya Pandita＇s Musical Theory and musical anthropology have a lot in common.