文艺理论研究
文藝理論研究
문예이론연구
Theoretical Studies In Literature and Art
2013年
2期
94~102
,共null页
诸宫调 音乐叙事体制 词体 曲体化
諸宮調 音樂敘事體製 詞體 麯體化
제궁조 음악서사체제 사체 곡체화
all - mode tune musical narrative scheme lyrics - centered form operaticization of lyrics - centered drama
诸宫调是一种在“诸般宫调”中唱“诸般曲调”的综合性音乐叙事艺术，主要流行于宋金元时期的市井民间。诸宫调音乐叙事体制的总体变化趋势是宫调使用渐少，曲调使用渐盛，由词体向曲体演化。作为一种民间说唱艺术，诸宫调既是变文以后的古弹词，又是戏剧的前身。它关联着书场和舞台两个表演场，其最终的曲体化，是其音乐叙事体制流变的必然结果。音乐体制不仅仅是诸宫调的外在表现形式，而且是其叙事的必备手段，是与其生命发展历程相始终的生存方式。
諸宮調是一種在“諸般宮調”中唱“諸般麯調”的綜閤性音樂敘事藝術，主要流行于宋金元時期的市井民間。諸宮調音樂敘事體製的總體變化趨勢是宮調使用漸少，麯調使用漸盛，由詞體嚮麯體縯化。作為一種民間說唱藝術，諸宮調既是變文以後的古彈詞，又是戲劇的前身。它關聯著書場和舞檯兩箇錶縯場，其最終的麯體化，是其音樂敘事體製流變的必然結果。音樂體製不僅僅是諸宮調的外在錶現形式，而且是其敘事的必備手段，是與其生命髮展歷程相始終的生存方式。
제궁조시일충재“제반궁조”중창“제반곡조”적종합성음악서사예술，주요류행우송금원시기적시정민간。제궁조음악서사체제적총체변화추세시궁조사용점소，곡조사용점성，유사체향곡체연화。작위일충민간설창예술，제궁조기시변문이후적고탄사，우시희극적전신。타관련착서장화무태량개표연장，기최종적곡체화，시기음악서사체제류변적필연결과。음악체제불부부시제궁조적외재표현형식，이차시기서사적필비수단，시여기생명발전역정상시종적생존방식。
Zhu Gongdiao （ ＂All - Mode Tune＂ ） is a composite musical narrative art, which shows as singing various modal tunes to various keys, and it was the popular folk opera form in the Song, Jin and Yuan dynasties. Musical narrative scheme of All - Mode Tune develops from decreasing use of keys to increasing use of modal tunes, and alongside this development is the change from lyrics - centred form to operatic form. As a folk art form, All - Mode Tune succeeded the ancient ＂Tanci＂ （ chanting lyrics） after the ＂bianwen＂ （ transformative text） and preceded the drama in the present form. Therefore, All - Mode Tune was associat- ed with the two performance space of the circular chanting space and the stage, which evolved into the operatic form of drama as the inevitable result of the developing musical system. Musical scheme is not an external form of the All - Mode Tune but also an indispensible means of its narrative, and its evolution is its way of existence.
