CAJ | 학술논문

中国现代舞以及当代身体剧场的创作，从无到有，历经了二十余年的发展。笔者以现代舞以及当代身体剧场的创作团体的发展为标志，简述这一历程以及当下中国现代舞在国内外所取得的成果。与此同时，笔者也将以在国内现代舞创作表演的亲历眼光，探讨覆盖在这一繁荣表象下的诸端隐虑。在肯定中国当代舞蹈成就的前提下，文章从以专业现代舞团为代表的身体技术流派创作、以独立艺术家为代表的当代身体剧场创作，以及以王玫风格为代表的学院派现代舞创作三方面，分析当下中国现代舞以及当代身体剧场创作中的种种不足、局限和弊端，以及相互之间的关联影响。
중국현대무이급당대신체극장적창작，종무도유，력경료이십여년적발전。필자이현대무이급당대신체극장적창작단체적발전위표지，간술저일역정이급당하중국현대무재국내외소취득적성과。여차동시，필자야장이재국내현대무창작표연적친력안광，탐토복개재저일번영표상하적제단은필。재긍정중국당대무도성취적전제하，문장종이전업현대무단위대표적신체기술류파창작、이독립예술가위대표적당대신체극장창작，이급이왕매풍격위대표적학원파현대무창작삼방면，분석당하중국현대무이급당대신체극장창작중적충충불족、국한화폐단，이급상호지간적관련영향。
The creations of Chinese contemporary dance and physical theatre have developed for more than twenty years. They have already gotten some achievements and drawn attentions from both home and abroad. However, there are still some worries and problems under the surface of this gradual prosperity. So, with the approval for the success of Chinese contemporary dance, the author wants to analysis the shortcomings, drawbacks and limitations of Chinese contemporary dance and physical theatre from the following three aspects： physical style with the professional dance companies as the representative, theatrical style with the independent artists as the representative, and academy style with Wang Mei as the representative.