CAJ | 학술논문

从解构主义的＂常论与悖论＂言说和新历史主义视角出发,分析了英国作家伊恩.麦克尤恩经典历史小说《赎罪》主人公罗比在敦刻尔克大撤退的遭遇。《赎罪》的主要故事背景放在敦刻尔克的前线和后方,麦克尤恩通过史实和虚构,以罗比的视角彻底颠覆了敦刻尔克大撤退的＂战争奇迹＂,让读者在恐惧和希望交替中强烈感受到了战争给个人带来的人伦悲剧。小说还从美学角度,丰富人们对敦刻尔克,对历史,对战争的认识和理解。麦克尤恩创造的这些经典叙事文本,既是对人皆知之的敦刻尔克神话＂常论＂的挑战,也是在更广泛层面上对战争进行批判。
종해구주의적＂상론여패론＂언설화신역사주의시각출발,분석료영국작가이은.맥극우은경전역사소설《속죄》주인공라비재돈각이극대철퇴적조우。《속죄》적주요고사배경방재돈각이극적전선화후방,맥극우은통과사실화허구,이라비적시각철저전복료돈각이극대철퇴적＂전쟁기적＂,양독자재공구화희망교체중강렬감수도료전쟁급개인대래적인륜비극。소설환종미학각도,봉부인문대돈각이극,대역사,대전쟁적인식화리해。맥극우은창조적저사경전서사문본,기시대인개지지적돈각이극신화＂상론＂적도전,야시재경엄범층면상대전쟁진행비판。
The article interprets the encounters of Robbie Turner, one of the protagonists in British national writ- er, Ian McEwan＇ s 1991 classical novel Atonement, both from the deeonstructive perspective of the Doxa and the Para-doxa, and neo-historical perspective. Atonement, for the most part, is set in the battlefront and the home the Miracle of Dunkirk through the eyes of Robbie Turner. The reading of the novel enables readers to experience with hope and fears in turn the human tragedies that the warfare causes. What＇ s more, it is believed that novels could surpass history to discuss the life dimensions that the history discipline can not describe and so enrich the understandings of Dunkirk Evacuation, the history and the war in general, from a poetic point of view. For this reason, the classic narratives in question McEwan has created can be seen as a challenge to the prevailing Doxa--the Miracle of Dunkirk, and in the meanwhile a wider criticism of a society at war.