CAJ | 학술논문

在时下多元话语及其理念共存的语境中，即便是一些红色题材或以其为背景的电影创作和表现也发生了似乎“另类”的偏移和转换，本文对其表现特征和实质进行了探讨，并阐明了造成这种偏移和转换的多重原因。首先，在艺术观念的去蔽过程中体现出一种求真的诉求；其次，当下具有包容性、灵活的政治策略使其成为可能；再次，立足于现在说明和重塑过去的新型的充满哲学意味的史学理论、新的文艺历史维度之认识和文艺阐释观念成为其潜在理念上的支撑；另外，大众文化及其心理诉求也是造成这种偏移和转换的重要因素。正是在这种“复调”式话语及其理念的语境中，中国电影左冲右突，步履坎坷地探索着自己丰富复杂而又多元的未来。
재시하다원화어급기이념공존적어경중，즉편시일사홍색제재혹이기위배경적전영창작화표현야발생료사호“령류”적편이화전환，본문대기표현특정화실질진행료탐토，병천명료조성저충편이화전환적다중원인。수선，재예술관념적거폐과정중체현출일충구진적소구；기차，당하구유포용성、령활적정치책략사기성위가능；재차，립족우현재설명화중소과거적신형적충만철학의미적사학이론、신적문예역사유도지인식화문예천석관념성위기잠재이념상적지탱；령외，대음문화급기심리소구야시조성저충편이화전환적중요인소。정시재저충“복조”식화어급기이념적어경중，중국전영좌충우돌，보리감가지탐색착자기봉부복잡이우다원적미래。
In the present co - existent context of multiple words and ideas, even some revolutionary subjects or the creation and performance of films based on them seem to undergo the alternative deviation and conversion, this paper tries to illustrate its features and essence. Meanwhile, mergence of the deviation and conversion： firstly, it reflects ness ; secondly, it ical history theory, the author also clarifies the multiple reasons of the e- the pursuit of truth in the process of removing blind- becomes possible by the inclusive and flexible political strategies ; thirdly, new - style philosoph- new understanding of literary history dimension and concept of literary interpretation which are based upon the present situation and the past reshaping become the potential conceptual support; in addition, mass culture and the psychological need are also the important reasons of the deviation and conversion. It is in the con- text of such polyphonic discourse and ideas that Chinese film is exploring its own abundant, complex but plural- istic future.