CAJ | 학술논문

彩色胶片技术使电影的探索目光开始从镜头之间的关系和镜头内部的关系中挪移出来，把重点放在创造画面影像既真实又富于美感的效果上，电影美学由此又发生了一次重大的转向。这种注意力的转移显示出电影在艺术和美学上的新动向，影像的问题也不再仅是艺术的问题，而更成为关学的问题。从摄影影像到数字影像，电影的影像越来越显示出仿真的特性，朝着偏离纪实主义的方向发展。电影的影像，从根本上说就是一种仿真的拟像。而数字影像因为技术的优势，更促使它在仿真的道路上继续阔步前进。
채색효편기술사전영적탐색목광개시종경두지간적관계화경두내부적관계중나이출래，파중점방재창조화면영상기진실우부우미감적효과상，전영미학유차우발생료일차중대적전향。저충주의력적전이현시출전영재예술화미학상적신동향，영상적문제야불재부시예술적문제，이경성위관학적문제。종섭영영상도수자영상，전영적영상월래월현시출방진적특성，조착편리기실주의적방향발전。전영적영상，종근본상설취시일충방진적의상。이수자영상인위기술적우세，경촉사타재방진적도로상계속활보전진。
Color film photography has been transferred the searching eyes of the film from shot＇s external and internal relationship to the effects that can make the images not only real but also full of sense of beauty, and this is the point. Thus, film aesthetics has taken an important veer. This shifts in attention shows the new trends in arts and aesthetics. The questions about image is not only about arts, but also aesthetics. From pho- tographic image to digital image, the image of the film has more and more shown the features of simulation, on the way that has abandoned documentary doctrine. The image of the film is a simulacra basically. And because of technical advantages, the digital image can encourages the images to move forward rapidly on the path of simulation.