CAJ | 학술논문

中国的“美术”观念及其用法的层位关系可分为三层：现代中国之“美术”观念为表层（第一层）；其下（第二层）为民国前期至清末光绪年间的“美术”观念；再其下（第三层）为清光绪年之前，从康熙乾隆年间下至北宋再下至晋之“美术”观念；而在第一层与第二层里，除有重叠之部分外，又掺杂着外来的观念及其用法——主要是被日本过滤后的“art”、“finearts”和“Kunstgewerbe”等西方的艺术观；从时间段而言，第一层和第二层的时段大致有百余年，第三层则达一千五六百多年；第三层不仅是目前中国“美术”观念的底层，亦是日本“美术”观念的底层。因此，在建构“美术考古学（科）”之前，有必要先对其核心概念——“美术”——进行考古研究。
중국적“미술”관념급기용법적층위관계가분위삼층：현대중국지“미술”관념위표층（제일층）；기하（제이층）위민국전기지청말광서년간적“미술”관념；재기하（제삼층）위청광서년지전，종강희건륭년간하지북송재하지진지“미술”관념；이재제일층여제이층리，제유중첩지부분외，우참잡착외래적관념급기용법——주요시피일본과려후적“art”、“finearts”화“Kunstgewerbe”등서방적예술관；종시간단이언，제일층화제이층적시단대치유백여년，제삼층칙체일천오륙백다년；제삼층불부시목전중국“미술”관념적저층，역시일본“미술”관념적저층。인차，재건구“미술고고학（과）”지전，유필요선대기핵심개념——“미술”——진행고고연구。
The position relationship of the concept and usage of China s ＂fine can be divided into three layers. The surface layer （ the first layer） is the concept of China＇ s modern ＂fine arts＂ ; the second layer is that of ＂fine arts＂ from Guangxu reign of the late Qing dynasty to the early period of the Republic of China; the third layer is that of ＂fine arts＂ before Guangxu reign of the late Qing dynasty, namely Qianlong reign and Kangxi reign, the Northern Song dynasty and the Jin dynasty. Besides the overlap of the first layer and the second layer, the concept of ＂fine arts＂ is mingled with that from other countries, mainly ＂art＂ from Japan, and ＂fine arts＂ and ＂Kunstgewerbe＂ from the western artistic concepts. Measured by time, the period of the first layer and the second layer last about 100 years while the third one lasts more than 1500 years. The third layer is the bottom layer of the concepts of ＂fine arts＂ in both China and Japan.