CAJ | 학술논문

气韵观念之所以具有广泛的普适性和强大的生命力,在于它是对艺术神态的准确把握和捕捉,且有着深广的根源。气韵体现了乾易、坤简的天地之道,反映出能与式、酒神精神与日神精神等对立二元的统一。它与人类的性别之分及本能的审美取向密切相关,甚至可以追溯于性染色体。从人类心灵角度看,其向外发散的要求自我实现系列占优势是气胜,向内收敛的要求和谐整一系列占优势是韵胜,由此可以简明地区分壮美、优美、弱美和丑四种基本的审美形态,在深层次上解释艺术形态发展嬗变的周期。
기운관념지소이구유엄범적보괄성화강대적생명력,재우타시대예술신태적준학파악화포착,차유착심엄적근원。기운체현료건역、곤간적천지지도,반영출능여식、주신정신여일신정신등대립이원적통일。타여인류적성별지분급본능적심미취향밀절상관,심지가이추소우성염색체。종인류심령각도간,기향외발산적요구자아실현계렬점우세시기성,향내수렴적요구화해정일계렬점우세시운성,유차가이간명지구분장미、우미、약미화축사충기본적심미형태,재심층차상해석예술형태발전선변적주기。
The concept of Qiyun has wide universality and strong vitality, owing to its accurate capture of artistic expression and rich origins. The concept embodies the unity of binary opposition between heaven and earth,stillness and action,Dionysian Spirit and Phoebus Spirit. It is also closely connected with the gender distinction of human beings and their instinctual aesthetic tendency. And it is even traced back to sex chromosome. From the point of view of the human mind, the predominance of outward demand for self-realization manifests itself as the superiority of Qi, whereas the predominance of inward convergent demand for harmony and unity symbolizes the superiority of Yun,and four aesthetic forms can be deduced to explain the evolvement of artistic forms.