CAJ | 학술논문

2012年，是中国电影产业发展调整与深化之年。现实主义创作开始回归，东方魔幻类型电影日趋成熟，《人再圃途之泰圃》创造的票房神话，“混搭风”、“拼盘风”的盛行，以及新生代导演集体亮相等，其中所体现的传统与现代、精英与大众、艺术与商业的矛盾统一关系，为国产电影今后的发展，提供了宝贵的经验教训。
2012년，시중국전영산업발전조정여심화지년。현실주의창작개시회귀，동방마환류형전영일추성숙，《인재포도지태포》창조적표방신화，“혼탑풍”、“병반풍”적성행，이급신생대도연집체량상등，기중소체현적전통여현대、정영여대음、예술여상업적모순통일관계，위국산전영금후적발전，제공료보귀적경험교훈。
The year of 2012 witnessed the development, adjustment and increment of the film industry in China. The realistic return, the growth of oriental-magic movies, the box-office success of Lost In Thailand, the prevalence of ＂Mix ＆ Match＂ and ＂Combination Platter＂, the collective debut of the new-generation di- rectors, etc. , have presented the contradiction and unity between the traditional and the modem, the elite and the popular, and the artistic and the commercial. These have provided valuable experience and lessons for the future develooment of Chinese filim industry.