CAJ | 학술논문

中国生态批评在中西生态文明的交流中生发,与西方生态批评构成了平行研究的共生关系。在生态性与审美性的耦合中,鲁枢元等学者初成了生态诗学,显示了中国生态批评的理论自觉。中国的绿色审美范式较之西方的绿色阅读范式,避免了生态诗理和绿色诗律的缺失,实现了生态性与审美性的平衡。中国生态批评虽形成了新的空间,然尚需寻求表征整体甚或总体空间的范畴,并以其为坐标,形成网格化的空间分布,进一步促进学科的体系化。
중국생태비평재중서생태문명적교류중생발,여서방생태비평구성료평행연구적공생관계。재생태성여심미성적우합중,로추원등학자초성료생태시학,현시료중국생태비평적이론자각。중국적록색심미범식교지서방적록색열독범식,피면료생태시리화록색시률적결실,실현료생태성여심미성적평형。중국생태비평수형성료신적공간,연상수심구표정정체심혹총체공간적범주,병이기위좌표,형성망격화적공간분포,진일보촉진학과적체계화。
Eco-criticism of china originated in the exchange of Chinese and W＇estem ecological civilization. and it constitutes a symbiotic relationship with the western ecological criticism with its parallel study. In the eco- logical and aesthetic coupling, scholars as Lu Shuyuan initiate in building eco-poetics, showing the theoretical self-consciousness of Chinese eco-criticism~ Compared with western green reading model, the green aesthetic paradigm of china avoids the deficiency of ecological poetry and green versifieation, and it achieves a balance be- tween ecological and aesthetic nature. Although eco-criticism of china creates new space, it needs to seek the cat- egory to characterize the whole or overall space. Then it takes the category as coordinates, forms spatial distribu- tion of grid, and further promotes the systematization of the discipline,