CAJ | 학술논문

后殖民文学中的“重述”文本，是经过作家的“剽窃”“改写”而创作出的与经典相“对立”的作品。在库切的小说《福》中，“对立”还存在于这一“重述”文本之中，并最终走向了对真相的解构。由此，帝国与殖民地、叙述与被叙述等等二元对立的结构都被瓦解。“重述”已成为了许多后殖民作家为本民族重写经典、争夺话语权的途径之一，也是他们为免于再次被纳入帝国建构的规则中，从而失去自己真正声音的一种创举。
후식민문학중적“중술”문본，시경과작가적“표절”“개사”이창작출적여경전상“대립”적작품。재고절적소설《복》중，“대립”환존재우저일“중술”문본지중，병최종주향료대진상적해구。유차，제국여식민지、서술여피서술등등이원대립적결구도피와해。“중술”이성위료허다후식민작가위본민족중사경전、쟁탈화어권적도경지일，야시타문위면우재차피납입제국건구적규칙중，종이실거자기진정성음적일충창거。
Renarrated texts in postcolonial literature, are works created by writers through plagiarism and rewriting, and then are counterpose with the classics. In J. M. Coetz.e＇s novel Foe, confrontation also existed in renarrated texts. And they finally turn to be the deconstruction of the truth. Thus, the binary structures such as empire and colony, narrative and being narrated are broken down. Renarrate texts, for many post -colonial writers, have be- come one way to rewrite classics and fight for the discourse fight for their nations, and also a kind of undertaking to be free from the rules that are constructed by the empire, thus losing their true voice again.