文艺理论研究
文藝理論研究
문예이론연구
Theoretical Studies In Literature and Art
2013年
4期
125~132
,共null页
诗学 批评 本色 诗歌
詩學 批評 本色 詩歌
시학 비평 본색 시가
poetics criticism ben - se （ original color） poetry
“本色”是中国诗学理论体系中的一个重要概念，它既指创作者“专业”的身份、诗歌作品“正宗”的地位，又指诗歌语言的素朴、表达的自然和情感的真挚，在宋、元、明、清各时期的诗学批评视域中，“本色论”呈现出动态发展、不断丰富和完善的态势。“本色论”从关注诗人本位向关注诗歌内容、风格、情感、语言等方面的全面拓展，体现了“本色论”的本体回归。“本色论”自身的成熟和完善，对于丰富中国诗学理论和完善中国诗学批评框架，都有重要意义。
“本色”是中國詩學理論體繫中的一箇重要概唸，它既指創作者“專業”的身份、詩歌作品“正宗”的地位，又指詩歌語言的素樸、錶達的自然和情感的真摯，在宋、元、明、清各時期的詩學批評視域中，“本色論”呈現齣動態髮展、不斷豐富和完善的態勢。“本色論”從關註詩人本位嚮關註詩歌內容、風格、情感、語言等方麵的全麵拓展，體現瞭“本色論”的本體迴歸。“本色論”自身的成熟和完善，對于豐富中國詩學理論和完善中國詩學批評框架，都有重要意義。
“본색”시중국시학이론체계중적일개중요개념，타기지창작자“전업”적신빈、시가작품“정종”적지위，우지시가어언적소박、표체적자연화정감적진지，재송、원、명、청각시기적시학비평시역중，“본색론”정현출동태발전、불단봉부화완선적태세。“본색론”종관주시인본위향관주시가내용、풍격、정감、어언등방면적전면탁전，체현료“본색론”적본체회귀。“본색론”자신적성숙화완선，대우봉부중국시학이론화완선중국시학비평광가，도유중요의의。
The concept of ＂ben -so＂ （original color） is very important in the theoretical system of Chinese poetics. ＂Ben- se＂ may refer to the ＂professional＂ status of the author and the orthodox position of poetic works on the one hand, and simplicity of language, naturalness of expressions and genuine affection in the text on the other hand. In the development of poetic criticism from Song Dynasty, Yuan Dynasty, Ming Dynasty to Qing Dynasty, the concept of ＂original color＂ has always shown an underly- ing self - perfecting dynamics. The theorization of the ＂original color＂ concept has shifting focuses along its theorization process from author - centeredness to contents, then from styles, emotions to language use, and this multi - dimensional reach of the con- cept embodies a return to the ontological research of poetry. The paper concludes that the maturization of the concept of the ＂orig- inal color＂ is an importance contribution to Chinese poetics and Chinese criticism.
