CAJ | 학술논문

《二十四诗品》作为一部中国古代论诗、品诗的诗学著作,多处运用传统道家哲学意象与哲学概念建构其诗歌美学。比照《二十四诗品》与《庄子》的关键字,可以得到两组相近的哲学美学概念,即以＂风＂与＂人＂为主的原始意象和以＂真＂与＂道＂为主的哲学概念。《二十四诗品》吸纳与继承庄子所提倡的因循自然、万物齐一的道家哲学观,从而建立起来旨在追求自然、崇尚性情的诗歌美学。
《이십사시품》작위일부중국고대론시、품시적시학저작,다처운용전통도가철학의상여철학개념건구기시가미학。비조《이십사시품》여《장자》적관건자,가이득도량조상근적철학미학개념,즉이＂풍＂여＂인＂위주적원시의상화이＂진＂여＂도＂위주적철학개념。《이십사시품》흡납여계승장자소제창적인순자연、만물제일적도가철학관,종이건립기래지재추구자연、숭상성정적시가미학。
An ancient Chinese poetic work of criticizing and appreciating poetry, The Twenty-four Styles of Poetry developed its poetic aesthetics by applying many traditional Taoist images and concepts. 3 comparison of key words between The Twenty-four Styles of Poetry and Zhuangzi obtained two groups of similar philosophic and aesthet- ic concepts, that is, the primitive images centered by ＂wind＂ and ＂men＂ and the philosophic concepts centered by ＂trueness＂ and ＂Tao＂. As a result, it was by absorbing and succeeding Zhuangzi＇ s Taoist philosophic view of fol- lowing nature and everything sharing the origin that The Twenty-four Styles of Poetry established its poetic aesthetics of seeking nature and advocating character.