CAJ | 학술논문

具有传记性的文学作品往往将读者和批评的注意力转移到小说与作者家庭和经历的相似性，对弗·伍尔夫代表作《到灯塔去》的研究也是这样。本文则透过对小说回忆视角的再审视，解读该小说的维多利亚式家庭观，揭示该小说中有关物质主义与精神主义的哲学思辨，以此探析回忆的艺术化过程与意义。在回忆视角的作用下，伍尔夫以个人的生活经历为载体，借助“到灯塔去”这一普通事件安排了小说的形式，将对过去的回忆转化变形，以非个人化的姿态进行艺术创作，赋予其时代精神，使小说超脱了个人情感的表达。
구유전기성적문학작품왕왕장독자화비평적주의력전이도소설여작자가정화경력적상사성，대불·오이부대표작《도등탑거》적연구야시저양。본문칙투과대소설회억시각적재심시，해독해소설적유다리아식가정관，게시해소설중유관물질주의여정신주의적철학사변，이차탐석회억적예술화과정여의의。재회억시각적작용하，오이부이개인적생활경력위재체，차조“도등탑거”저일보통사건안배료소설적형식，장대과거적회억전화변형，이비개인화적자태진행예술창작，부여기시대정신，사소설초탈료개인정감적표체。
Considering the fact that To the Lighthouse often draws the reader＇s and the critic＇s attention to the biographical elements, the essay, from the novel＇s vision of memory, intends to discuss the Victorian family mode and Woolf＇s conception of materialism and spiritualism in view of relevant criticism, so as to study the process of transforming memory into art. It holds that, from the vision of memory and with to-the-lighthouse event as the clue, Woolf arranges the novel＇s form, and transforms the family memory with an impersonal attitude and modern concerns, so as to make the novel beyond expression of individual feelings.