CAJ | 학술논문

在“政治标准第一，艺术标准第二”的审美标准规范下，20世纪50年代的文学普遍具有简单化、公式化、概念化的倾向。在新的历史条件下，人们在审视那段文学历史时却惊奇地发现，当时的文学中存在着一种强烈的浪漫主义激情。这种浪漫主义的突出表现是，英雄们总是被塑造成智勇双全、能文善武的“超人”，他们都有着在战争中传奇式的冒险经历，大都有一段体现“革命浪漫主义”的爱情敌事，且通常采用现代版的“英雄美人”叙事模式。
재“정치표준제일，예술표준제이”적심미표준규범하，20세기50년대적문학보편구유간단화、공식화、개념화적경향。재신적역사조건하，인문재심시나단문학역사시각량기지발현，당시적문학중존재착일충강렬적랑만주의격정。저충랑만주의적돌출표현시，영웅문총시피소조성지용쌍전、능문선무적“초인”，타문도유착재전쟁중전기식적모험경력，대도유일단체현“혁명랑만주의”적애정활사，차통상채용현대판적“영웅미인”서사모식。
Under the aesthetic standards of ＂political criteria first, artistic standards second＂, the 1950s literature generally has simplistic, formulaic and conceptual tendencies. In the new historical conditions, if people view that period of literary history, they will find with surprise that it was the literature full of a strong romantic passion. And this kind of romanticism highlights the heroes, who are always portrayed as ＂Superman＂, inteUigent and courageous, smart and strong. And they all share legendary ad- ventures in the war, a love story reflecting the ＂revolutionary romanticism＂, and a modern version of ＂coming to her rescue＂ narrative mode.