CAJ | 학술논문

本文通过版本比较与文本细读的方法解读了劳伦斯在两部短篇小说《雏菊的味道》与《牧师的女儿们》中的艺术思想变化。笔者认为，作者的艺术思想变迁源于作者个人情感的成长。在《雏菊的味道》中，作者从单纯的心理分析到社会学视角的阐释直至劳式理论的提出，最终展现了贝茨夫人对其失败婚姻的顿悟。在《牧师的女儿们》中，作者成功地阐释了婚姻中男女关系元素，摈弃了阶级区分意识，释放了主人公的俄狄浦斯情结。小说也传达出具有劳伦斯式的艺术思想特色，提出劳伦斯式二分结构之抽象与具体，理性（知性）与肉体（本能）的区分。劳伦斯认为人类的生命活力在于自然与本真的回归，而这成为其毕生大多数重要作品的艺术主题与特色思想。
본문통과판본비교여문본세독적방법해독료로륜사재량부단편소설《추국적미도》여《목사적녀인문》중적예술사상변화。필자인위，작자적예술사상변천원우작자개인정감적성장。재《추국적미도》중，작자종단순적심리분석도사회학시각적천석직지로식이론적제출，최종전현료패자부인대기실패혼인적돈오。재《목사적녀인문》중，작자성공지천석료혼인중남녀관계원소，빈기료계급구분의식，석방료주인공적아적포사정결。소설야전체출구유로륜사식적예술사상특색，제출로륜사식이분결구지추상여구체，이성（지성）여육체（본능）적구분。로륜사인위인류적생명활력재우자연여본진적회귀，이저성위기필생대다수중요작품적예술주제여특색사상。
This article demonstrates Lawrence＇ s artistic changes in his two short novels Odour of Chrysanthemum and Daughters of the Vicar by the approach of comparison of different texts of the novels and close reading. In Odour of Chrysanthemum, the author＇ s interpretation from pure psychoanalysis to a social marital comprehension to the creation of Lawrentian Metaphysic demonstrates the root of Mrs Bates＇ marriage tragedy. In Daughters of the Vicar, the author demonstrates his rejection of class consciousness, his release of Oedipus complex of the character as well as some concepts such as Abstract vs Concrete, Ration vs Body （Instinct）. Lawrence prefers people＇ s blood intimacy and instinct and advocates the return of passion and nature, which has become an essential thought in most of his works.