CAJ | 학술논문

以旅游空间生产为主要特点的模拟的民族文化主题公园和人造景观是后现代旅游的一种典型代表。本文以云南“彝人古镇”为例，从空间生产角度对民族文化旅游所体现的后现代性特征及其社会效应进行探讨，认为“符号表征”与“主客同位景观”分别是民族文化旅游空间客体生产与主体生产的标志性特征。民族文化主题公园成就了存在主义原真性旅游体验，在少数民族文化遗产旅游利用与保护方面具有积极意义。
이여유공간생산위주요특점적모의적민족문화주제공완화인조경관시후현대여유적일충전형대표。본문이운남“이인고진”위례，종공간생산각도대민족문화여유소체현적후현대성특정급기사회효응진행탐토，인위“부호표정”여“주객동위경관”분별시민족문화여유공간객체생산여주체생산적표지성특정。민족문화주제공완성취료존재주의원진성여유체험，재소수민족문화유산여유이용여보호방면구유적겁의의。
The simulative ethnic cultural park and man-made landscape are typical representatives of postmodern tourism, which takes spatial production of the resorts as key features. Yi People＇ Ancient Town is such a typical case of simulative ethnic cultural tourism. Taking it as a case, the writers discuss and analyze preliminarily on the postmodernism characteristics and social significance of simulative ethnic cultural tourism from spatial production perspective and put forward a very important concept of subject- object appositive sight that is one of signs of postmodemism. It has creative significance on tourism protection of cultural heritage by constructing symbolic city view in nationality autonomous region.