CAJ | 학술논문

谈到文学翻译,人们会立即想到＂翻译者,叛逆也＂这一说法。由于中西方语言体系之间存在极大的差异,而文学翻译的目的是进行文化传播与信息交流,所以在文学翻译过程中,译者势必会发挥主观创造性,甚至是叛逆性,对原著进行变通。译者的＂创造性叛逆＂在文学翻译作品中普遍存在,对于各民族文化交流而言具有重大的意义。结合《红楼梦》库恩德译本对＂创造性叛逆＂这一文化现象进行分析,探讨其内涵意义以及表现形式。
담도문학번역,인문회립즉상도＂번역자,반역야＂저일설법。유우중서방어언체계지간존재겁대적차이,이문학번역적목적시진행문화전파여신식교류,소이재문학번역과정중,역자세필회발휘주관창조성,심지시반역성,대원저진행변통。역자적＂창조성반역＂재문학번역작품중보편존재,대우각민족문화교류이언구유중대적의의。결합《홍루몽》고은덕역본대＂창조성반역＂저일문화현상진행분석,탐토기내함의의이급표현형식。
When man speaks of literary translation,people will immediately think of the widely circulated statement ＂The translator is a traitor＂.The translator must alter the original with subjective creativity due to the huge language and cultural gap between Chinese and western language systems,because the goal of literary translation is cultural communication and exchange of information.This ＂creative treason＂ of the translator exists generally in literary translation and plays an important role in the communication of different cultures.This article will combine with the Kuhn’s German version A Dream of Red Mansion in order to analyze the cultural phenomenon of ＂creative treason＂ and discuss its connotation and form of expression.