浙江艺术职业学院学报
浙江藝術職業學院學報
절강예술직업학원학보
Journal of Zhejiang Vocational Academy of Art
2013年
3期
15~21
,共null页
临海 戏曲 演出民俗 “四化” 老爷戏
臨海 戲麯 縯齣民俗 “四化” 老爺戲
림해 희곡 연출민속 “사화” 로야희
Linhai; traditional Chinese opera; folk performance custom; four tendencies; old play
临海的戏曲演出民俗总体上呈"四化"形态,即演出酬神功能的弱化、演出禁忌民俗的淡化、演出例行民俗的简化、演出市场经济的强化。“四化”的存在是戏曲演出民俗变异性的表现。戏曲本身是从民俗中来的,当戏曲本体的民俗色彩越来越淡薄、经济色彩覆盖民俗色彩的时候,戏曲受众将会离它越来越远。
臨海的戲麯縯齣民俗總體上呈"四化"形態,即縯齣酬神功能的弱化、縯齣禁忌民俗的淡化、縯齣例行民俗的簡化、縯齣市場經濟的彊化。“四化”的存在是戲麯縯齣民俗變異性的錶現。戲麯本身是從民俗中來的,噹戲麯本體的民俗色綵越來越淡薄、經濟色綵覆蓋民俗色綵的時候,戲麯受衆將會離它越來越遠。
림해적희곡연출민속총체상정"사화"형태,즉연출수신공능적약화、연출금기민속적담화、연출례행민속적간화、연출시장경제적강화。“사화”적존재시희곡연출민속변이성적표현。희곡본신시종민속중래적,당희곡본체적민속색채월래월담박、경제색채복개민속색채적시후,희곡수음장회리타월래월원。
There are four tendencies of the overall situation of the folk performance custom of traditional Chinese op- era in Linhai, namely the weakening of rewarding god function of the performance, the fade of the taboo folk custom of the performance, simplifying the regular performance folk and strengthening performance market economy. The four tendencies indicate the change of folk performance custom of traditional Chinese opera. Chinese opera itself comes from the folklore. When there is little folk element of Chinese opera but more economic ones, the audience of traditional Chinese opera will be farther and farther away from it.