CAJ | 학술논문

托妮·莫里森惯用犀利的笔触揭示黑人性及其背后的政治性，不管从何种角度论及她的长篇小说，“历史”都是始终无法回避的话题。本文认为《天堂》中黑人社区的运行模式，与固步自封的传统文学文本如出一辙，无法调动读者参与意义建构和阐释的积极性，在后现代语境中显而易见是不合时宜的。论文批判了《天堂》的“美国例外论”意识形态，以及其中所包含的黑人种族主义和法西斯主义特质；它把该小说与美国外交政策进行历史性关照，彰显统治集团的权力话语和主观意志。通过揭示文学的历史性和历史的文学性，莫里森明确了黑人民族和其他弱势群体建构文化身份的有效途径。
탁니·막리삼관용서리적필촉게시흑인성급기배후적정치성，불관종하충각도론급저적장편소설，“역사”도시시종무법회피적화제。본문인위《천당》중흑인사구적운행모식，여고보자봉적전통문학문본여출일철，무법조동독자삼여의의건구화천석적적겁성，재후현대어경중현이역견시불합시의적。논문비판료《천당》적“미국예외론”의식형태，이급기중소포함적흑인충족주의화법서사주의특질；타파해소설여미국외교정책진행역사성관조，창현통치집단적권력화어화주관의지。통과게시문학적역사성화역사적문학성，막리삼명학료흑인민족화기타약세군체건구문화신빈적유효도경。
History is one of the unavoidable topics when it comes to Toni Morrison＇s novels which explore the blackness and politics. This paper is intended to illustrate that the black community in Paradise works like a conventional text which is unable to inspire readers＇ active participation in meaning construction and interpretation in the postmodern context. The ideology of exceptionalism is deconstructed and black racialism and fascism are criticized. Paradise is also compared with American diplomatic policies to show the power structure of dominant classes. By emphasizing historical implication in literature and literary significance in history, Morrison provides the black community and other marginalized groups with the way to construct their cultural identity.