敦煌研究
敦煌研究
돈황연구
Dunhuang Research
2013年
5期
60~66
,共null页
东嘎1号石窟 法界语自在曼荼罗 图像与文本
東嘎1號石窟 法界語自在曼荼囉 圖像與文本
동알1호석굴 법계어자재만도라 도상여문본
Dung-dkar Cave 1; Dharma-vagisvara-mandala; Iconographies and texts
以东嘎1号窟法界语自在曼荼罗壁画为对象，梳理与该曼荼罗相关的藏文文献，并结合该窟法界语自在曼荼罗图像作对比研究，理清11世纪初至12世纪中晚期在西藏西部流行的以四面八臂白色文殊菩萨为主尊的法界语自在曼荼罗图像与所据文本之间的关系。
以東嘎1號窟法界語自在曼荼囉壁畫為對象，梳理與該曼荼囉相關的藏文文獻，併結閤該窟法界語自在曼荼囉圖像作對比研究，理清11世紀初至12世紀中晚期在西藏西部流行的以四麵八臂白色文殊菩薩為主尊的法界語自在曼荼囉圖像與所據文本之間的關繫。
이동알1호굴법계어자재만도라벽화위대상，소리여해만도라상관적장문문헌，병결합해굴법계어자재만도라도상작대비연구，리청11세기초지12세기중만기재서장서부류행적이사면팔비백색문수보살위주존적법계어자재만도라도상여소거문본지간적관계。
Focusing on the wall paintings of the Dharma-dhfitu-vagisvara-mandala. ala in Dung-dkar Cave 1, this study sorts out the Tibetan documents about this kind of mandala and presents a comparison of both the texts and the iconographies, so as to clarify the relationship between the iconographies of Dharma-vagisvara-mandala, ala dominated by a four-headed eight-armed white Manjusri image, which was popular in western Tibet from the early 11^th century to the middle of the 12^th century, and the texts they were based on.
