上海师范大学学报：哲学社会科学版
上海師範大學學報：哲學社會科學版
상해사범대학학보：철학사회과학판
Journal of Shanghai NOrmal University
2013年
6期
109~117
,共null页
中国动画 体制艺术 动画理论 “中国动画学派”
中國動畫 體製藝術 動畫理論 “中國動畫學派”
중국동화 체제예술 동화이론 “중국동화학파”
Chinese animation, system art, animation theory, ＂Chinese school of animation＂
中国动画自民国时期诞生伊始，就致力于民族艺术道路的探索追求。建国后，“中国动画学派”成功地将京剧、水墨画等独特的民族艺术形式融入“动画化”扬名世界，但也形成了“形式主义”为先的创作依赖症。此后，中国动画在主流意识形态的指挥棒下，长期奉行“古典主义”，“体制艺术”的色彩浓重：“文革”前后，政治宣传工具论影响极大；新时期以来，经济挂帅导致业内人士普遍急功近利，相对忽略了文化、艺术方面的积极建构。中国动画的未来发展之道，是制定相对独立且符合艺术规律的长远规划，寻求商业与艺术的完美融合。
中國動畫自民國時期誕生伊始，就緻力于民族藝術道路的探索追求。建國後，“中國動畫學派”成功地將京劇、水墨畫等獨特的民族藝術形式融入“動畫化”颺名世界，但也形成瞭“形式主義”為先的創作依賴癥。此後，中國動畫在主流意識形態的指揮棒下，長期奉行“古典主義”，“體製藝術”的色綵濃重：“文革”前後，政治宣傳工具論影響極大；新時期以來，經濟掛帥導緻業內人士普遍急功近利，相對忽略瞭文化、藝術方麵的積極建構。中國動畫的未來髮展之道，是製定相對獨立且符閤藝術規律的長遠規劃，尋求商業與藝術的完美融閤。
중국동화자민국시기탄생이시，취치력우민족예술도로적탐색추구。건국후，“중국동화학파”성공지장경극、수묵화등독특적민족예술형식융입“동화화”양명세계，단야형성료“형식주의”위선적창작의뢰증。차후，중국동화재주류의식형태적지휘봉하，장기봉행“고전주의”，“체제예술”적색채농중：“문혁”전후，정치선전공구론영향겁대；신시기이래，경제괘수도치업내인사보편급공근리，상대홀략료문화、예술방면적적겁건구。중국동화적미래발전지도，시제정상대독립차부합예술규률적장원규화，심구상업여예술적완미융합。
Chinese animation had been exploring its national artistic features since the early period of the Republic of China. After the founding of the PRC, ＂Chinese school of animation＂ succeeded in integrating such national art as Peking opera, Chinese ink painting into animation works and the results were outstanding. However, the creation mode of ＂formalism＂ was established. Since then, Chinese animation bad been influenced by the social mainstream ideology and had adhered to the creation principle of ＂classicism＂ for a long time, which was turned into a ＂system art＂. During the period of Culture Revolution, Chinese animation was greatly influenced by ideology. In the new historical period, with the prevalence of commercialism, the construction of art and culture is neglected. The healthy development of Chinese animation is to establish an independent, long-term plan and to integrate commerce with art.
