CAJ | 학술논문

从知识社会学的视野来考察林语堂的“闲适”文学理念,会发现这种闲适话语在1930年代的各种意识形态中隐伏着沉痛.这种沉痛来自于闲适话语处境的尴尬,来自于“闲适”文化视角对东西方的凝视与糅合,更来自于闲适作为一种自由主义观念形态的艰难指向.同时,林语堂的文学理念在与诸多观念的博弈中显示出了乌托邦想象、异端思想以及一种“非政治”的政治观等特征.
종지식사회학적시야래고찰림어당적“한괄”문학이념,회발현저충한괄화어재1930년대적각충의식형태중은복착침통.저충침통래자우한괄화어처경적감개,래자우“한괄”문화시각대동서방적응시여유합,경래자우한괄작위일충자유주의관념형태적간난지향.동시,림어당적문학이념재여제다관념적박혁중현시출료오탁방상상、이단사상이급일충“비정치”적정치관등특정.
Guo Moruo is an important founder and pioneer of ecological aesthetics pedigree in Chinese modern literary theory. Based on enlightenment, he formed an early ecological view of the nature, which laid more emphasis on the ultimate sources of individual view, cultural view and social view. In line with the cultural and poetic ideas, he established the literary poetic view with the dominance of ＂natural language＂ and the ecocriticism view with dual perspectives of culture and aesthetics, which greatly widened the vision and realm of criticism. With the view full of enlightenment and ecological connotation, Guo Moruo should be taken as a first-class critics at that time, and his theory also had a far-reachinz influence on later literary criticism.