CAJ | 학술논문

在旅游凝视力的作用下，专为游客生产的民族文化表演，通过对原生文化符号的选取、抽离、改造等不同建构方式，成为了族群传统文化与主流消费文化相遇及意义重生的空间。本文以九寨沟藏羌歌舞表演《高原红》为例，在借用西方人文科学领域中“第三空间”理论的基础上，通过对表演生成特征、功能价值、属性定位的分析，从文化人类学的角度重新阐释旅游语境中《高原红》的文化意义，指出旅游表演《高原红》所展示出的文化，既不同于主流大众文化也不同于民族传统文化，而是一种在自我与他者互动中杂糅生成的第三性异质文化，表现为民族传统文化自我的现代性表述与主动建构。
재여유응시력적작용하，전위유객생산적민족문화표연，통과대원생문화부호적선취、추리、개조등불동건구방식，성위료족군전통문화여주류소비문화상우급의의중생적공간。본문이구채구장강가무표연《고원홍》위례，재차용서방인문과학영역중“제삼공간”이론적기출상，통과대표연생성특정、공능개치、속성정위적분석，종문화인류학적각도중신천석여유어경중《고원홍》적문화의의，지출여유표연《고원홍》소전시출적문화，기불동우주류대음문화야불동우민족전통문화，이시일충재자아여타자호동중잡유생성적제삼성이질문화，표현위민족전통문화자아적현대성표술여주동건구。
Influenced by tourist gaze, the ethnic cultural performance for the tourists, by choosing, dissociating and recreating original culture icons, becomes a place for the traditional ethnic culture and consumer culture of mainstream to meet and transform. This thesis employs the ease study on the performance Gaoyuan hong and theory of the third place, analyzes the spanning characteristics of the performance, its values and function, as well as its nature and orientation, re-illustrate the cultural significance of the performance Gaoyuan hong from cultural anthropology, and comes to the conclusion that the culture demonstrated in the performance Gaoyuan hong is neither consumer culture of mainstream nor traditional ethnic culture, but a alien culture born in the interaction of one culture with another. The thesis also points out that it takes the form of modern expression and active construction of traditional ethnic culture.