CAJ | 학술논문

入静、灵宝斋等道教仪式音乐史料及其研究结果表明，东晋在继承东汉请神祝愿仪基础上，进行了一系列重大变革。通神得道成仙取代了治病却灾的宗旨，斋戒内修和转经诵咏取代了符祝上书等方术，咏唱乐章首次出现并用于仪式关键位置，音乐成为通神娱神的重要手段，佛教功德回向与普度众生观念的大量借鉴。这些变革构成了东晋仪式音乐的转型，并奠定了未来正统道教仪式音乐的发展方向。
입정、령보재등도교의식음악사료급기연구결과표명，동진재계승동한청신축원의기출상，진행료일계렬중대변혁。통신득도성선취대료치병각재적종지，재계내수화전경송영취대료부축상서등방술，영창악장수차출현병용우의식관건위치，음악성위통신오신적중요수단，불교공덕회향여보도음생관념적대량차감。저사변혁구성료동진의식음악적전형，병전정료미래정통도교의식음악적발전방향。
Historical Taoist music materials like Ru Jing and Ling Bao Zhai shows that there are series of important reformations in Taoist ritual of Dong Jin Dynasty, while it at the same time inherited Dong Han Taoist ritual of inviting gods and vowing. A purpose of curing disease and avoiding disaster replaced that of communicating with gods and becoming immortal; fast, inner cultivation and chant sutras replaced alchemy; singing movement appeared and took a crucial position in ritual; music became an important method of communicating with and entertaining the gods; ideas like merits and delivering all living creatures from torment were borrowed from Buddhism. These are the transformation of Dong Jin Taoist ritual music, which fixed the direction of orthodox Taoist ritual music.