CAJ | 학술논문

边界模糊意味着传统认识范畴和学科体系的解体，也意味着传统方法论的普遍失效，这是“后理论”不得不遭遇的一种来自环境和自身的“混乱”。艺术与生活之间的边界模糊、作者与读者之间的边界模糊、艺术媒介之间的边界模糊等都深刻地影响着后理论的走向。边界模糊是一种社会转型与理论范式转换之间的双向建构，因此在后理论时代，“边界模糊”既是一种普遍的语境，也是后理论自身挥之不去的一个特质，后理论不得不在各种模糊、游移、融合、交叉的边界之间艰难地重构自身。
변계모호의미착전통인식범주화학과체계적해체，야의미착전통방법론적보편실효，저시“후이론”불득불조우적일충래자배경화자신적“혼란”。예술여생활지간적변계모호、작자여독자지간적변계모호、예술매개지간적변계모호등도심각지영향착후이론적주향。변계모호시일충사회전형여이론범식전환지간적쌍향건구，인차재후이론시대，“변계모호”기시일충보편적어경，야시후이론자신휘지불거적일개특질，후이론불득불재각충모호、유이、융합、교차적변계지간간난지중구자신。
The fuzziness of boundary signifies the disintegration of the traditional knowledge scope and disci- pline system, also the general ineffectiveness of the traditional methodology. This is the ＂chaos＂ originated from the environment and ＂post theory＂ itself that the theory must encounter. The fuzziness of boundary between art and liv- ing, between writer and reader, and among each artistic media, has profoundly affected the trend of ＂post theory＂. The fuzziness of boundary is a two-way construction between the social transformation and theory paradigm transfor- mation. Thus in the ＂post theory＂ era, with the ＂fuzziness of boundary＂ becoming a general context as well as an inherent characteristic of ＂post theory＂ itself, ＂post theory＂ has to struggle to reconstruct itself among the fuzzy, wandering, merging, crossing edges of various kinds.