CAJ | 학술논문

老舍在《茶馆》里进行的“新尝试”，与布莱希特的戏剧观有着很多近似的地方，当然也有明显的不同。《茶馆》具有布莱希特“史诗剧”的叙事特点，但又融入斯坦尼斯拉夫斯基的演剧方法；具有布莱希特“陌生化效果”，但更多的是继承中国传统戏曲的“舞台假定性”；将布莱希特的理性思考运用于剧中，并追求典型化与类型化的融合，从而创造了传统与现代相交融的中国话剧精品。
로사재《다관》리진행적“신상시”，여포래희특적희극관유착흔다근사적지방，당연야유명현적불동。《다관》구유포래희특“사시극”적서사특점，단우융입사탄니사랍부사기적연극방법；구유포래희특“맥생화효과”，단경다적시계승중국전통희곡적“무태가정성”；장포래희특적이성사고운용우극중，병추구전형화여류형화적융합，종이창조료전통여현대상교융적중국화극정품。
Through re - reading The Teahouse , a few new insights into it are discovered ： Lao She＇ s ＂new at- tempt＂ in his Teahouseis in many ways similar to Brecht＇ s concept of theater though it is of course quite differ- ent from the latter. The Teahouse bears the narrative features of Brecht＇ s ＂epic drama＂, but, integrated into it, are Stanislavsky~ performance methods on the other hand; it is provided with Brecht＇ s ＂defamiliarization effect＂, but with more ＂Stage assumption＂ of traditional Chinese operas. That is, it puts Brech＇st rational thinking into the play and go after an integration of typification with categorization, thus creating a unique bou- tique of Chinese drama with a blending of the traditional and the modem..