CAJ | 학술논문

对纳西族东巴跳及丧葬舞蹈进行多次田野调查，并运用体育人类学动作分析法进行实证研究，表明纳西族丧葬舞蹈动作的文化符号特征是“连臂一体”及动物模仿，为氐羌系民族迁徙历史传统中保留的特殊身体文化积淀。在图腾生殖崇拜影响下，纳西先民从“连臂一体”的丧葬舞蹈中解放出双手，产生了可精细化的个体动物模仿巫术。祖灵和神灵崇拜出现和发展，促使纳西族丧葬舞蹈演变为东巴跳。
대납서족동파도급상장무도진행다차전야조사，병운용체육인류학동작분석법진행실증연구，표명납서족상장무도동작적문화부호특정시“련비일체”급동물모방，위저강계민족천사역사전통중보류적특수신체문화적정。재도등생식숭배영향하，납서선민종“련비일체”적상장무도중해방출쌍수，산생료가정세화적개체동물모방무술。조령화신령숭배출현화발전，촉사납서족상장무도연변위동파도。
The authors conducted several field investigations into Naxi Dongba dance and funeral dance, and did an empirical study by means of movement analysis in sports anthropology, and revealed the followings： the cultural symbol of Naxi funeral dance moves is characterized by“arms and body integrated”and animal imitation, the spe-cial body culture heritage remained in the migration history tradition of the Diqiangxi nationality;under the influ-ence of totem reproduction worship, Naxi ancestors freed their hands from “arms and body integrated” funeral dance, developed finely imitable individual animal imitation witchcraft;the appearance and development of ances-tral spirit and gods worship promoted the transformation of Naxi funeral dance into Dongba dance.