CAJ | 학술논문

中国油画由于早期异质文化源流的历史背景，在内在文化属性的认同方面经历了最初的“西洋画”到“民族化”再到“中国油画”的历史流程。在中西文化交流过程中显露出来的自身文化身份意识对具体的艺术创作有着莫大的影响。以20世纪初西方现代艺术与非洲艺术之间的互动情态为参照，可以为当代中国油画中的文化身份问题提供启示。
중국유화유우조기이질문화원류적역사배경，재내재문화속성적인동방면경력료최초적“서양화”도“민족화”재도“중국유화”적역사류정。재중서문화교류과정중현로출래적자신문화신빈의식대구체적예술창작유착막대적영향。이20세기초서방현대예술여비주예술지간적호동정태위삼조，가이위당대중국유화중적문화신빈문제제공계시。
Owing to its foreign origin, Chinese oil painting has, as far as its cultural identity is con- cerned, undergone an evolution from ＂painting from the West＂ to ＂domesticated foreign painting＂ and to ＂Chinese oil painting＂. As the awareness of cultural identities in the process of Chinese-Western cultural ex- change has a great impact on specific artistic creations, so the interactions between modem Western art and African art in the early 20th century can offer enlightening implications to the cultural identity of contemporary Chinese oil painting.