南开学报:哲学社会科学版
南開學報:哲學社會科學版
남개학보:철학사회과학판
Nankai Journal
2014年
1期
63~72
,共null页
《十四行集》 大化意识 时间体验 空灵关 圆形美
《十四行集》 大化意識 時間體驗 空靈關 圓形美
《십사행집》 대화의식 시간체험 공령관 원형미
Collection of Sonnets ; Awareness of Grandeur; Temporal Experience ; Ethereality; Roundedness
冯至《十四行集》融中国传统儒、佛、道哲学思想与西方存在主义哲学于一炉,思考世界、人生、命运及其化转问题,思想内涵极为丰富。《十四行集》弘扬了《易经》、佛教、道教的“大化”意识,书写与张扬了现代性的时间体验与意识,对于“荒原”这个现代世界的灾难性意象,也有深刻的省思。《十四行集》不仅具有现代诗的知性美风采,还呈现出深沉、空灵兼具的美学特点。同其思想的深沉圆熟一样。《十四行集》的诗艺术上也具有“圆形之美”,它所达到的圆熟自如的境界,使西方格律诗十四行体这一诗体也像自由体诗一样,成了现代中国人最喜爱的一种诗体。
馮至《十四行集》融中國傳統儒、彿、道哲學思想與西方存在主義哲學于一爐,思攷世界、人生、命運及其化轉問題,思想內涵極為豐富。《十四行集》弘颺瞭《易經》、彿教、道教的“大化”意識,書寫與張颺瞭現代性的時間體驗與意識,對于“荒原”這箇現代世界的災難性意象,也有深刻的省思。《十四行集》不僅具有現代詩的知性美風採,還呈現齣深沉、空靈兼具的美學特點。同其思想的深沉圓熟一樣。《十四行集》的詩藝術上也具有“圓形之美”,它所達到的圓熟自如的境界,使西方格律詩十四行體這一詩體也像自由體詩一樣,成瞭現代中國人最喜愛的一種詩體。
풍지《십사행집》융중국전통유、불、도철학사상여서방존재주의철학우일로,사고세계、인생、명운급기화전문제,사상내함겁위봉부。《십사행집》홍양료《역경》、불교、도교적“대화”의식,서사여장양료현대성적시간체험여의식,대우“황원”저개현대세계적재난성의상,야유심각적성사。《십사행집》불부구유현대시적지성미풍채,환정현출심침、공령겸구적미학특점。동기사상적심침원숙일양。《십사행집》적시예술상야구유“원형지미”,타소체도적원숙자여적경계,사서방격률시십사행체저일시체야상자유체시일양,성료현대중국인최희애적일충시체。
Feng Zhi's Collection of Sonnets is a combination of traditional Chinese Confucianist, Buddhist, and Taoist be- liefs and western Existentialism. It, with great variety in its philosophical contents, is a reflection on the world, human life, human destiny and their conversion. It bodies forth the sense of grandeur as is found in The Book of Changes, in Bud- dhism and in Taoism. It depicts with great emphasis the temporal experience and awareness of modernity, and examines closely the image of the "wasteland," an image that epitomizes the disaster of modern world. Feng's Collection of Sonnets possesses within it not only the intellectual intensity of modern poetry, but also an aesthetic feature that is at once profound and ethereal in nature. Similar to the profound roundedness in the ideas of the collection, there is also a perfect sense of roundedness in the prosody of the collection. The sense of roundedness and spontaneity as is found in the collection has made sonnet, just like free verse, into one of the most favored kinds of poetry in modern China.