CAJ | 학술논문

让-米歇尔·拉巴泰的《1913年：现代主义的摇篮》是现代主义前沿研究的一部力作。该书以开阔的视野和翔实的史料精心描绘了早期现代主义于1913年前后从文学、音乐、绘画、舞蹈、电影、物理学、数学、建筑学、心理学、性学，乃至优生学等众多学科中诞生的历史图景，指出了早期现代主义是特定时代必然产生的文化现象，是这一时期各学科相继出现的共同思想，深刻论述了这一处于婴儿期思想的新旧交替和异质融合等特征，同时也讨论了它的一些缺陷。这部文化史论著超越了以往文艺研究的范畴，对百年后今天的现代主义研究具有重要的参考价值。
양-미헐이·랍파태적《1913년：현대주의적요람》시현대주의전연연구적일부력작。해서이개활적시야화상실적사료정심묘회료조기현대주의우1913년전후종문학、음악、회화、무도、전영、물이학、수학、건축학、심이학、성학，내지우생학등음다학과중탄생적역사도경，지출료조기현대주의시특정시대필연산생적문화현상，시저일시기각학과상계출현적공동사상，심각논술료저일처우영인기사상적신구교체화이질융합등특정，동시야토론료타적일사결함。저부문화사론저초월료이왕문예연구적범주，대백년후금천적현대주의연구구유중요적삼고개치。
With open views and detailed facts, Jean-Michel Rebate＇s 1913： The Cradle of Modernism has depicted a historical picture from which Early Modernism was born of such disciplines as literature, music, painting, choreography, cinematography, psychology, physics, mathematics, architecture, sexuality and even eugenics round 1913. In such a temporary mosaic, the book points out that it is an inevitable cultural phenomenon in a given period of history and that it is a common thought for a host of disciplines while expounding the successiveness and heterogeneity of Early Modernism in its infancy as well as some defects of it. This monograph of cultural history has gone beyond the previous research field of art and is valuable for the research on Modernism a century later.