CAJ | 학술논문

国内用典研究一直未能走出“各唱各调，互不相关”局面。事实上用典研究自身也是一种修辞实践，“各唱各调”是学术发明的催生剂，“互不相关”倾向则应予以克服。本文融合西方“新修辞”理论资源，推出“受众＋动机”的用典研究新范式。研究认为：要准确看待“僻典”及传统和当代用典观，详细考察文本与受众主体和作者创作动机之间的微妙戏动；用典之所以历久不衰，主要应归因于用典赋予作者邀请受众进入修辞互动的机会。
국내용전연구일직미능주출“각창각조，호불상관”국면。사실상용전연구자신야시일충수사실천，“각창각조”시학술발명적최생제，“호불상관”경향칙응여이극복。본문융합서방“신수사”이론자원，추출“수음＋동궤”적용전연구신범식。연구인위：요준학간대“벽전”급전통화당대용전관，상세고찰문본여수음주체화작자창작동궤지간적미묘희동；용전지소이력구불쇠，주요응귀인우용전부여작자요청수음진입수사호동적궤회。
Domestic scholars in allusion studies tend to argue their own cases without due consideration to viewpoints of others＇. Considering these studies per se constitute a rhetorical operation, we contend that while the articulation of independent opinions is a testimonial to scholarly inventiveness, apathy to viewpoints of others＇, however, is inadvisable. Bricolaging the ideas of contemporary western rhetoric, we come up with an ＂Audience ＋ Motive＂ paradigm. In its light, to aptly appreciate ＂obscure allusions＂ in particular and views on allusions in general demands scrupulous attention to the tricky play among text, audiences and the rhetor＇s motive of invention. Audiences＇ opportunities of engaging the rhetor at the latter＇s invitation account for the sustained interest in the use of allusions.