CAJ | 학술논문

文章搁置《笛赋》作者的归属问题不论，仅从它对汉代音乐赋的影响人手进行了梳理。《七发》和《洞箫赋》继承了《笛赋》的表现形式，丰富了它的情感表达。《弹琴赋》沿用了它的写实手法，熔铸了儒家思想的痕迹。进而勾勒出上古时期音乐的文学呈现轮廓，探究文人精神丰富性的展开。
문장각치《적부》작자적귀속문제불론，부종타대한대음악부적영향인수진행료소리。《칠발》화《동소부》계승료《적부》적표현형식，봉부료타적정감표체。《탄금부》연용료타적사실수법，용주료유가사상적흔적。진이구륵출상고시기음악적문학정현륜곽，탐구문인정신봉부성적전개。
Shelving the author attribution of Di Fu, this paper focuses on its influence on the music fu of Han dynas- ty. Qi Fa and Dongxiao Fu inherited the expressing form of Di Fu and enriched its emotional expression. Tanqin Fu followed its realist style and cast traces of Confucianism, thus stretching out the outline of literary representation of music in ancient times and probing the richness of literati spirit.