CAJ | 학술논문

生态美学生发于特定语境，它以人类生存中遭遇的生态危机为现实基础，力求在传统哲学中汲取思想资源，以寻求对以艺术为核心对象的传统美学的完善、丰富和充实，建立人与自然平等共生的亲和关系。但是，中国生态美学理论的深化发展目前面临着学科定位不清、缺乏实践操作性、中西理论基点差异导致的思维偏向等学术困境，这即是理论体系自身的生态“非平衡”问题。
생태미학생발우특정어경，타이인류생존중조우적생태위궤위현실기출，력구재전통철학중급취사상자원，이심구대이예술위핵심대상적전통미학적완선、봉부화충실，건립인여자연평등공생적친화관계。단시，중국생태미학이론적심화발전목전면림착학과정위불청、결핍실천조작성、중서이론기점차이도치적사유편향등학술곤경，저즉시이론체계자신적생태“비평형”문제。
Ecological aesthetics is generated in the particular context , based on the ecological crisis human beings encountered , strives for digging in traditional philosophy and learning resources of thoughts , so as to search for the improvement and richness of traditional aesthetics with art as its core objective , and establishes equal symbiotic affinity relationship between human and nature . However , further development of Chinese ecological aesthetics theory is facing academic difficulties , such as no clear subject orientation ,lack of operational practice ,the differences between Chinese and western theories leading to thinking bias , w hich is the ecological “unbalanced” problem in theoretical system .