中央民族大学学报：哲学社会科学版
中央民族大學學報：哲學社會科學版
중앙민족대학학보：철학사회과학판
Journal of The Central University for Nationalities(Humane and Social Sciences Edition)
2014年
2期
172~175
,共null页
嘛呢石 艺术特征 工艺 审美
嘛呢石 藝術特徵 工藝 審美
마니석 예술특정 공예 심미
Mani stone; artistic characteristics; arts and crafts; aesthetics
纹刻嘛呢石是将石刻、绘画、雕刻技艺有机结合具有地域特色的民间艺术形式之一,是藏传佛教信仰的独特表现方式。其本质上是万物有灵思想和祈求神灵庇佑精神内涵的物化表现。纹刻嘛呢石具有直观的传播性、鲜明的宗教特征和含蓄内敛的写意性特征。
紋刻嘛呢石是將石刻、繪畫、彫刻技藝有機結閤具有地域特色的民間藝術形式之一,是藏傳彿教信仰的獨特錶現方式。其本質上是萬物有靈思想和祈求神靈庇祐精神內涵的物化錶現。紋刻嘛呢石具有直觀的傳播性、鮮明的宗教特徵和含蓄內斂的寫意性特徵。
문각마니석시장석각、회화、조각기예유궤결합구유지역특색적민간예술형식지일,시장전불교신앙적독특표현방식。기본질상시만물유령사상화기구신령비우정신내함적물화표현。문각마니석구유직관적전파성、선명적종교특정화함축내렴적사의성특정。
Engraved Mani stones are one of the regional folk arts with an organic combination of stone cutting, painting and sculpture. They are the unique expression of the belief in Tibetan Buddhism and the materialized expression of animisim and pray for God＇ s protection. Being introverted and symbolic in feature, they are also visually communicative and distinctively religious in characteristics.
