四川大学学报：哲学社会科学版
四川大學學報：哲學社會科學版
사천대학학보：철학사회과학판
Journal of Sichuan University(Social Science Edition)
2014年
1期
71~80
,共null页
潇湘八景 宋迪 惠洪 中日禅林 五山诗僧 文字禅
瀟湘八景 宋迪 惠洪 中日禪林 五山詩僧 文字禪
소상팔경 송적 혜홍 중일선림 오산시승 문자선
the eight Xiaoxiang scenes, Song Di, Monk Huihong, Chinese and Japanese Zen Buddhisttemples, monk poets in the Five Mountain temples, cultivation of Zen through learning
本文旨在讨论“潇湘八景”诗在中日禅林里的书写情况。首先探究惠洪的“有声画”（诗）与宋迪“无声句”（画）之间的经典对话，然后指出惠洪的“潇湘八景”诗的典范性为中日禅林所共同认可，其书写范式为日本五山禅僧所仿效。由此考察统计五山禅林“潇湘八景”诗的创作规模，并分析其书写传统的形成。最后探讨“潇湘八景”诗人禅的文化背景，其诗的禅意化与“文字禅”观念的流行同步，其书写传统可视为“文字禅”影响下中日文学艺术交流的一个绝佳象征。
本文旨在討論“瀟湘八景”詩在中日禪林裏的書寫情況。首先探究惠洪的“有聲畫”（詩）與宋迪“無聲句”（畫）之間的經典對話，然後指齣惠洪的“瀟湘八景”詩的典範性為中日禪林所共同認可，其書寫範式為日本五山禪僧所倣效。由此攷察統計五山禪林“瀟湘八景”詩的創作規模，併分析其書寫傳統的形成。最後探討“瀟湘八景”詩人禪的文化揹景，其詩的禪意化與“文字禪”觀唸的流行同步，其書寫傳統可視為“文字禪”影響下中日文學藝術交流的一箇絕佳象徵。
본문지재토론“소상팔경”시재중일선림리적서사정황。수선탐구혜홍적“유성화”（시）여송적“무성구”（화）지간적경전대화，연후지출혜홍적“소상팔경”시적전범성위중일선림소공동인가，기서사범식위일본오산선승소방효。유차고찰통계오산선림“소상팔경”시적창작규모，병분석기서사전통적형성。최후탐토“소상팔경”시인선적문화배경，기시적선의화여“문자선”관념적류행동보，기서사전통가시위“문자선”영향하중일문학예술교류적일개절가상정。
This paper discusses the composition of Xiapxiang landscape poems in Zen Buddhist temples in both China and Japan. Beginning with the classical communication between Monk Huihong＇s poems on the Xiaoxiang scenes, which he called ＂audible paintings＂, and Wu Di＇s Xiaoxiang landscape paintings, known as ＂soundless poems＂, the author points out that Huihong＇s Xiaoxiang poems were acknowledged by Buddhist monks in China and Japan, and the style was imitated by Zen monks in Japan＇s Five Mountain Buddhist temples. The author goes on to estimate the number of such poetic writings on the Xiaoxiang landscape, and explores the formation of such a tradition. Finally, the paper examines the cultural background for the appearance of Zen poems on the Xiaoxiang landscape, which paralleled with the idea of the cultivation of Zen through learning. The composition of Xiaoxiang landscape Zen poetry is an excellent example representing literary and artistic communication between China and Japan.
