江苏师范大学学报:哲学社会科学版
江囌師範大學學報:哲學社會科學版
강소사범대학학보:철학사회과학판
Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
2014年
2期
18~24
,共null页
明词 词调 新增 自创调
明詞 詞調 新增 自創調
명사 사조 신증 자창조
Ming Ci ; the tunes of Ci ; inheritance ; innovation
《全明词》及《全明词补编》收录的24334首词作共使用词调669种,大部分是沿用唐宋词已有调式,但另有一百余种调名不见于前代词作.这些新词调衍生的形式主要有三种:一是因明人或令人的误解,将本非词调的诗题用作词调;二是明人或今人因词曲观念的混淆,而将曲调杂入词调;三是明人的自创调.明词自创调共103种,虽在明词词调中占据比例不小,但使用自创调创作的词作在全部明代词作中所占比例却微乎其微,明代的自创调也很少获得后人的认可.明词自创调一方面显示出部分作者率意的创作态度,另一方面也显现出某些词人明确的创调意识.
《全明詞》及《全明詞補編》收錄的24334首詞作共使用詞調669種,大部分是沿用唐宋詞已有調式,但另有一百餘種調名不見于前代詞作.這些新詞調衍生的形式主要有三種:一是因明人或令人的誤解,將本非詞調的詩題用作詞調;二是明人或今人因詞麯觀唸的混淆,而將麯調雜入詞調;三是明人的自創調.明詞自創調共103種,雖在明詞詞調中佔據比例不小,但使用自創調創作的詞作在全部明代詞作中所佔比例卻微乎其微,明代的自創調也很少穫得後人的認可.明詞自創調一方麵顯示齣部分作者率意的創作態度,另一方麵也顯現齣某些詞人明確的創調意識.
《전명사》급《전명사보편》수록적24334수사작공사용사조669충,대부분시연용당송사이유조식,단령유일백여충조명불견우전대사작.저사신사조연생적형식주요유삼충:일시인명인혹령인적오해,장본비사조적시제용작사조;이시명인혹금인인사곡관념적혼효,이장곡조잡입사조;삼시명인적자창조.명사자창조공103충,수재명사사조중점거비례불소,단사용자창조창작적사작재전부명대사작중소점비례각미호기미,명대적자창조야흔소획득후인적인가.명사자창조일방면현시출부분작자솔의적창작태도,령일방면야현현출모사사인명학적창조의식.
"Quan Ming Ci" and "The supplement to Quan Ming Ci" include Ci 24334 , used 669 kinds of tunes of Ci. Most of them followed the tunes of Tang - Song Ci, but more than one hundred tunes of Ci were not be seen from the former poetry. There are three reasons about these new tunes of Ci. One is because the misunderstanding of the Ming Dynasty or today' s people, they used the titles of poems as tones of Ci by mistake; Two is because the Ming Dynasty or today' s people confuse viewpoint, lead to the tunes of Ci mixed with the tunes of Qu; Three is the tunes of Ci created by the Ming Dynasty. There are 103 tunes of Ci crea- ted by Ming Dynasty, the proportion are not very few in the tunes of Ming Ci, but the proportion in total Ming Ci works is very little. And they seldom get recognition of later generations. The tunes of Ming Ci shows that a part of authors' attitudes are arbitrary. On the other hand,they also shows some of the writers created the tunes of Ci with clear consciousness.