CAJ | 학술논문

基于电影《城南旧事》和小说《城南旧事》的相同点和不同点，分析老北京影像。老北京的人情味和空院子、老巷子、旧房子、小园子等文化元素都是1920年代帝都北京的真实记录。林海音的怀乡文学以“女性”主义的视角书写，从儿童的眼睛观察成人世界，打开了一扇“真实”世界的窗口。《城南旧事》小中见大，书写“大时代”的“小人物”返乡故事，折射了中国大陆巨变时代的政治风云。作者以自身人生时空变迁对北京古城进行想象性的文学描摹和文化景观的地理投射，影视叙述文本被重构为一个遥远的可望不可即的“乡土梦”。
기우전영《성남구사》화소설《성남구사》적상동점화불동점，분석로북경영상。로북경적인정미화공원자、로항자、구방자、소완자등문화원소도시1920년대제도북경적진실기록。림해음적부향문학이“녀성”주의적시각서사，종인동적안정관찰성인세계，타개료일선“진실”세계적창구。《성남구사》소중견대，서사“대시대”적“소인물”반향고사，절사료중국대륙거변시대적정치풍운。작자이자신인생시공변천대북경고성진행상상성적문학묘모화문화경관적지리투사，영시서술문본피중구위일개요원적가망불가즉적“향토몽”。
The old Beijing＇ s image is analyzed based on the similarities and differences of the film and the novel of the Old Story of the Historical South City. The cultural elements of old Beijing such as empty courtyards, old lanes, old houses, small gardens and so on, are the true records of the imperial capital of Beijing in the 1920s. It is suggested that the writing angle of Lin haiyin used in homesickness literature with females, is from the eyes of children to observe the adult world, which opens a window of real world for us. Literature, as a travel without end point and territory, reflects the change of the political upheavals of the era from another angle by writing the story of unimportant people returns to his hometown in ＂important age＂. The author depicts the ancient Beijing city with imaginative literature and cultural landscape by her experience of life space and time change to make narrative text into an elusive ＂native dream＂.