CAJ | 학술논문

电影《小时代》系列以进行时的方式讲述了四个少女的青春、梦想，体现了小时代视阈下的“中国梦”叙述。与宏大叙事相反，它是一种“小”叙述，是后现代主义文化中的“小”叙述，它并不反抗体制，甚至某种程度上，不自觉与体制达成共谋。它也是消费时代的小叙述。《小时代》的成功，让人们看到了选择“郭敬明”为经典的青少年群体在消费文化浪潮中的主体地位和话语诉求；郭敬明的小说和电影，成为了这群青少年最佳的自我替代性叙述文本。电影《小时代》的粉丝中，以女性青少年居多，某种意义上，《小时代》是中小城市爱做梦的女性青少年的欲望替代叙述，它通过人物形象塑造、城市形象建构、镜像语言风格与“酷”行为模式四个方面，塑造了当下女性青少年的文化认同。
전영《소시대》계렬이진행시적방식강술료사개소녀적청춘、몽상，체현료소시대시역하적“중국몽”서술。여굉대서사상반，타시일충“소”서술，시후현대주의문화중적“소”서술，타병불반항체제，심지모충정도상，불자각여체제체성공모。타야시소비시대적소서술。《소시대》적성공，양인문간도료선택“곽경명”위경전적청소년군체재소비문화랑조중적주체지위화화어소구；곽경명적소설화전영，성위료저군청소년최가적자아체대성서술문본。전영《소시대》적분사중，이녀성청소년거다，모충의의상，《소시대》시중소성시애주몽적녀성청소년적욕망체대서술，타통과인물형상소조、성시형상건구、경상어언풍격여“혹”행위모식사개방면，소조료당하녀성청소년적문화인동。
The film series Tiny Times tell the story of four teenage girls’ youth and dreams ,re-flecting the narration of “Chinese Dream” in the perspective of “Tiny Times”.In contrast with the grand narration ,it is a micro-narration ,showing a typical postmodernist feature .It does not fight a-gainst the established system ,and even to some extent ,it goes unconsciously along with the system . It is also a micro-narration of the consumption age .The success of Tiny Times shows that the teenag-ers have played a principal part and had their own discourse demands in the wave of consumption age represented by Guo Jingming .Therefore ,Guo’s novels and movies have become the best substitutes of narrative texts for these teenagers .Most film fans of the Tiny Times are teenage girls .In a sense , these films are the substitutions of the desire narration of those teenage girls who come from middle or small cities and dream for wealth and romantic love .By describing these characters ,building a city image ,creating a style of film narration and setting up a “cool”behavior model ,the films have shaped a cultural identity for contemporary female adolescents .