CAJ | 학술논문

上个世纪80年代中期，艾布拉姆斯的著作开始传入中国，其艺术理论“四要素”框架在国内学术界产生了广泛的影响。随着艾氏学术著作不断地译介，其批评理论也逐渐为学界所了解。因此，对艾布拉姆斯在国内近三十年的传播与接受进行关照就显得十分必要。这不仅有利于推进国内学者对艾氏展开研究，而且对国内文艺理论的建设也起到积极的作用。
상개세기80년대중기，애포랍모사적저작개시전입중국，기예술이론“사요소”광가재국내학술계산생료엄범적영향。수착애씨학술저작불단지역개，기비평이론야축점위학계소료해。인차，대애포랍모사재국내근삼십년적전파여접수진행관조취현득십분필요。저불부유리우추진국내학자대애씨전개연구，이차대국내문예이론적건설야기도적겁적작용。
Since the mid-80s of the 20th century, Abrams＇ theories began to spread to China. His artis- tic theoretical framework of ＂four elements＂ has had a great impact in the domestic academic circles. After that, with his academic works being continuously translated, Abrams＇ literary thoughts have been gradually known by academic circles. This paper reviews nearly thirty years of spreading and receiving of Abrams＇ in our country, and makes a brief comment on the researches of his artistic theories.