CAJ | 학술논문

当代英国女性戏剧家汀布莱克·韦滕贝克的《夜莺的爱》藉身体叙述对古希腊神话故事进行现代式改写.剧作从独特的身体视角展现了父权社会权力机制与暴力压迫下,女性被禁锢、规训的境遇,进而凸现了女性身体内在的潜能,探讨身体抵抗的可能性、形式、意义和限度.古典神话改写在韦滕贝克的笔下具有了特别的政治内涵和伦理价值,身体叙述体现了剧作家的女性主义政治批评策略,成为唤醒女性主体意识的媒介.
당대영국녀성희극가정포래극·위등패극적《야앵적애》자신체서술대고희석신화고사진행현대식개사.극작종독특적신체시각전현료부권사회권력궤제여폭력압박하,녀성피금고、규훈적경우,진이철현료녀성신체내재적잠능,탐토신체저항적가능성、형식、의의화한도.고전신화개사재위등패극적필하구유료특별적정치내함화윤리개치,신체서술체현료극작가적녀성주의정치비평책략,성위환성녀성주체의식적매개.
Contemporary British playwright Timberlake Wertenbaker rewrites the classical Greek myth of Tereus with the Love of the Nightingale. The play casts strategy of body narrative in her 1989 drama The limelight on the female body to show how women have been immured and disciplined by the power mechanisms of patriarchy and, more importantly, demonstrates the political potential of female body by exploring the possibilities and limits of women＇ s physical resistance. The act of myth rewriting thus achieves keen political significance and ethical value, confirming the body narrative as a key strategy in feminist criticism and activism.