安徽大学学报:哲学社会科学版
安徽大學學報:哲學社會科學版
안휘대학학보:철학사회과학판
Journal of Anhui University(Philosophy & Social Sciences)
2014年
1期
46~52
,共null页
诗格 对偶 随势通变 严整 时空
詩格 對偶 隨勢通變 嚴整 時空
시격 대우 수세통변 엄정 시공
poetic style; antithesis ; variation according to situation ; neatness in formation ; time and space
诗格理论是主要以近体诗艺术形式为研究对象的体系化探讨,对偶说是其中一个重要组成部分,即讨论写作中运用什么样的对偶类型,如何运用对偶,才能在诗的音声和篇章上表现出偶丽、谐和、严整的艺术效果,从而容纳万象于一体,展现内涵丰富、时空开阔的艺术境界。具体而言,唐人研究的对偶类型丰富,涉及字、音、义、句等多个方面,并随着时代的发展,由于其整体意识和篇章意识的贯注,表现出从“专对不移”到“随势通变”的特征。诗格讨论对偶形式目的在于审美建构,即建立诗篇严整偶丽的结构,表达圆融丰富的意义和建构时空开阔、时空交融的审美效应。
詩格理論是主要以近體詩藝術形式為研究對象的體繫化探討,對偶說是其中一箇重要組成部分,即討論寫作中運用什麽樣的對偶類型,如何運用對偶,纔能在詩的音聲和篇章上錶現齣偶麗、諧和、嚴整的藝術效果,從而容納萬象于一體,展現內涵豐富、時空開闊的藝術境界。具體而言,唐人研究的對偶類型豐富,涉及字、音、義、句等多箇方麵,併隨著時代的髮展,由于其整體意識和篇章意識的貫註,錶現齣從“專對不移”到“隨勢通變”的特徵。詩格討論對偶形式目的在于審美建構,即建立詩篇嚴整偶麗的結構,錶達圓融豐富的意義和建構時空開闊、時空交融的審美效應。
시격이론시주요이근체시예술형식위연구대상적체계화탐토,대우설시기중일개중요조성부분,즉토론사작중운용십요양적대우류형,여하운용대우,재능재시적음성화편장상표현출우려、해화、엄정적예술효과,종이용납만상우일체,전현내함봉부、시공개활적예술경계。구체이언,당인연구적대우류형봉부,섭급자、음、의、구등다개방면,병수착시대적발전,유우기정체의식화편장의식적관주,표현출종“전대불이”도“수세통변”적특정。시격토론대우형식목적재우심미건구,즉건립시편엄정우려적결구,표체원융봉부적의의화건구시공개활、시공교융적심미효응。
The theory on poetic style is the systematic exploration of "modem style" poetry of the Tang Dynasty. Antithetic style is an important part of it. This theory studies what type of antithetic structure is to be adopted and how to use it to achieve artistic effects of beauty, harmony and neat formation. Thus, an artistic conception, rich in connotations, varied in time and space and condensed in meaning, can be attained. In specific, antithetic style of the Tang Dynasty is varied, encompassing word, sound, meaning .and syntax. With the instilment of discourse awareness, "strict adherence to antithetic rule" was gradually transformed into "variation according to situation". Poetic styles are explored for aesthetic con- struction, establishing antithetic structure, expressing manifold meanings and constructing aesthetic effect harmonizing time and space.